"You plunge me in stupefaction," that lady answered, "and at the same time you terrify me. Your account of Owen is inconceivable, and yet I don't know what to hold on by. He cares for you, it does appear, and yet in the same breath you inform me that nothing is more possible than that he's spending these days at Waterbath. Excuse me if I'm so dull as not to see my way in such darkness. If he's at Waterbath he doesn't care for you. If he cares for you he's not at Waterbath." Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"!

Fleda's line had been taken, her word was quite ready; on the terrace of the painted pots she broke out before her interlocutress could put a question. "His errand was perfectly simple: he came to demand that you shall pack everything straight up again and send it back as fast as the railway will carry it." "I like that!" he laughed. "How came you not to let me know that you were there?"

"Well," Fleda replied, "I couldn't stay. I didn't like it. I didn't like it at all—I couldn't bear it," she went on. "In the midst of those trophies of Poynton, living with them, touching them, using them, I felt as if I were backing her up. As I was not a bit of an accomplice, as I hate what she has done, I didn't want to be, even to the extent of the mere look of it—what is it you call such people?—an accessory after the fact." There was something she kept back so rigidly that the joy of uttering the rest was double. She felt the sharpest need of giving him all the other truth. There was a matter as to which she had deceived him, and there was a matter as to which she had deceived Mrs. Gereth, but her lack of pleasure in deception as such came home to her now. She busied herself with the tea and, to extend the occupation, cleared the table still more, spreading out the coarse cups and saucers and the vulgar little plates. She was aware that she produced more confusion than symmetry, but she was also aware that she was violently nervous. Owen tried to help her with something: this made rather for disorder. "My reason for not writing to you," she pursued, "was simply that I was hoping to hear more from Ricks. I've waited from day to day for that." Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. Fleda still hesitated. "Why, it was worse than yours."